/design work, projects and tests*/

/*setting a research project currently, more
...information will be available soon/

Wednesday, July 8, 2009

End of term reviews 4ofseven Design Studio Graduate Programme, Faculty of Architecture at the University of Belgrade

4ofseven Master Unit run by Djordje Stojanović


work of Vladan Stevović


Vladan Stevović - an objectified data

Vladan Stevović

Marko Stojković

Museum of Science and Technology - Offspring
rehabilitation and conversion of an old warehouse construction into a space to house the new Museum of Science and Technology Pavilion


4of7 STUDIO REVIEWS, MASTER UNIT | May 30, 2009
Guest Critic: Bojana Vuksanović, Danilo Dangubić
Invitation: Djordje Stojanović

Thursday, June 11, 2009

Following the invitation by Mirjana Devetaković, I will be visiting the Generic Explorations Generative Research Group of the Faculty of Architecture, the University of Belgrade, during stay in Belgrade at the end of this months.

More details on works of the Generative Research Group available at: Generic Explorations website.

Sunday, May 17, 2009

gh definition surface population/test

00014
gh definition test
00014 test rhino/v-ray rendering engine

based on 'Bounding box, divide interval and box component' definition found at ARTC MIAMI / ARTC Miami / (requires registration/otherwise free)

gh definition / download /

Tuesday, April 14, 2009

Invitation by Djordje Stojanović of 4ofseven and Superfusionlab to be a guest critic at the final reviews of the 4ofseven Design Studio Graduate Programme, Faculty of Architecture at the University of Belgrade.

4of7 Design Studio, leading to Masters of Architecture Diploma, is put together by Djordje Stojanović as a "way of thinking between architectural profession and academia". The studio works in the direction and with a special interest in building information technologies, integrated design processes, complex geometries and generative approaches to design.

The reviews are to be held Tuesday 30th June 2009. 10.00am start (subject to a flux of perpetual flexibility)

I am especially looking forward to it, since 4of7 is one of very rare studios in the region of the former Yugoslavia that is concentrating search in this area of designing.

links:

www.4ofseven.com
www.superfusionlab.com
4of7 design studio
Faculty of Architecture at the University of Belgrade

Friday, February 13, 2009

Fuck Machine by Charles Bukowski

Set design: Bojana Vuksanović
Direction/adaptation: Neven Samardzić


scene 2 machine
main scene - the machine


introductory bar scene


final scene - Henry's bedroom

The central piece is the machine - a featureless mechanism controlling all. Henry falls in love with Tanya, a machine with no feelings.

Cast: Kemal Čebo, Mirza Dervišić, Igor Skvarica, Semir Krivić, Belma Salkunić, Alma Terzić; Music: Sasa Peševski

Charles Bukowski's collection of stories available / here /

Many thanks to Osman Arslanagić for his kind help.

Showing 4th of March, 20h, Theater Scena Obala, Sarajevo


Sunday, February 8, 2009


-
'Unspecified Form' / . PDF download /
/writing/

online link: -'Unspecified Form'

Saturday, December 20, 2008


-
'Planned Spontaneity' / . PDF download /
/writing/

online link: -'Planned Spontaneity'

Monday, September 15, 2008

'sketching' with functions

three dimensional model
bojana vuksanovic - 03b parametric
00021

00014

Friday, September 5, 2008

"Appearance" - white pen on black paper



bojana vuksanovic - paths




sketch/paths diagrams/time

Tuesday, September 2, 2008



Unnamed




unnamed




Sunday, August 10, 2008

Proposal for the new Academy of Performing Arts, Sarajevo

The brief asked for an inclusion of the two new city theaters to be used by the Academy students and staff for teaching and simultaneously act as the new cultural centers for the events happening at the level of the city.


main facade/north

PRESENCE


The intention was to make a strong presence of the Academy building and the two new theaters in the city of Sarajevo, rising the awareness and been a positive influence on the general consciousness and culture.

With its presence, the 'bodies' of the theaters would be changing energies in the city, impacting the urban structure and the physical matter of the Academy. In the wider context, they would also influence a general consciousness and hope to give some new perceptions.

west facade

south facade



Theaters as 'live bodies', present physically and spiritually in the city of Sarajevo and in the Academy, continually changing them.

bojana vuksanovic - organisation asu 2
organization diagram

ENCLOSE
D WORLDS


Visible and present inside the Academy and externally, the theaters still stay a mysterious, enclosed worlds. The insides of the two theaters are a sort of 'wombs' where the future actors, film directors, scenographers and dramatists are been 'hatched' and 'born'. These introverted environments are there as a place where they can grow and develop. Inside apparently enclosed spaces, there are infinite possibilities, worlds which are free to happen, imagination been the only limit.

facade/three different transparencies

In terms of the geometry and materiality, the 'bodies' of the large and small scene are distinctive from the rest of the Academy building.
The rest of the facade is 'pixelated', made of 'pixels' of three different qualities - a transparent, semi-transparent and opaque. Combination of these 3 pixels of different levels of transparency, with the changes in internal and external lighting, and various events inside the building, a varied and animated facade is achieved.



facade - close up






changing energies/theaters used as a projection screens

The two introverted bodies do not have any external openings. Their external surface is used as a projection screen and it comes alive during the events in the city of Sarajevo, making it changeable as the events in the Academy and in the city change.


Inside the Academy, the two theaters become main centers of the school, a meeting points for the students and places for the exchange of the ideas. All the social spaces are located along the perimeters of the theaters. The 'roof' of the main scene becomes a library with the adjacent media rooms.

The building has no corridors - circulation and communications happen around the perimeter of this 'center bodies'.
They connect all the teaching departments and the teachers offices.

The smaller theater is positioned on the level of the roof, high at the top of the Academy. During the summer film festival, this space opens up to become an open air cinema with the exit on the roof terrace from which the city of Sarajevo can be seen.

view of the entrance

The entrance is beneath the 'floating' theater that is suspended above the entire entrance foyer and also forms its ceiling. The stage and the actors and the public are in the 'floating' body above it. One arrives to the cafe following the ramp from the entrance foyer. Above the cafe there is a double height space from which the volume of the large theater can be experienced.

Proposal for the new Academy of Performing Arts, Sarajevo
01. - 09. February, 2008, Gallery Collegium Artisticum, Sarajevo


Friday, August 1, 2008

Proposal for the new bridge in front of the Academy of Fine Arts

Sarajevo 2007.

Coinciding geometries - the bridge against the strict order of the Academy





side view of the bridge



context model/section through the river bed


render/3d/not to scale

Proposal for the new bridge in front of the Academy of Fine Arts, Sarajevo

Proposal for the new bridge in front of the Academy of Fine Arts, Sarajevo
05. - 22. November, 2008, Gallery Collegium Artisticum, Sarajevo


Coinciding geometries - the bridge against the strict order of the Academy

Placing the ‘broken’ geometry of the bridge against the strict order of the Academy had an intent of visualizing the two opposing energies that are in place. A thin line invisibly drawn between the two is the ‘axes’ along which the bridge is constructed. The bridge appears fragile, balancing between the two banks of river Miljacka, centrally shifted out of balance. It is held in an equilibrium in that frail moment and its balancing point.

Usually, there are two types of power. In one, the strength comes from its materiality, it is its power of mass and weight, a physical force. The other is of a very fragile kind, although one requiring much greater skills. It shows its strength in virtuosity of balancing of vast energies of moments. Managing to keep them in motion while staying at the point of equilibrium.

The resultant materiality of the bridge is only the one that is necessary to keep this forces stable. At the end becomes unclear if the materiality is the one that realizes the bridge or if the bridge is just a by-product, a physical materialization of the forces that were already in place.

The divisions that happened within Sarajevo during and after the war were at several levels. The resemblance of Berlin wall is still in place, just this time with its margins made present through quiet forces it exerts.

When this happens, there is a wonder, if this was a natural state of things all along, one to which things naturally resumed and to which everything get reverted. Or, if the point of balance was really their true state, but the one requiring much greater intelligence and understanding to sustain, subjected to a wave that shifted things to quite different places.


Bojana Vuksanović


Wednesday, December 19, 2007



"frozen"

cast in frozen water - sphere is a void set in cube of ice


/3dmax combined with Vray rendering engine/

www.cgsphere.com/gallery/details/fullsize/?submission_id=3544
www.cgsphere.com

Monday, November 19, 2007



"fallen sculpture"

fallen in the water of the fountain, once perfect... broken has its own beauty - its past added to its present..
the water of the fountain... continuing its life

/3dmax combined with Vray rendering engine/

www.cgsphere.com/gallery/details/fullsize/?submission_id=3554
www.cgsphere.com

Thursday, November 15, 2007



Library idea proposal, Ireland

collaboration with Nicola Van Waegening

Friday, October 5, 2007

infinite number of possible forms - derivation of liquid cubes

derivation of many variations from a single idea, the design becomes its ‘essence’ - an idea of itself


online link: -'Unspecified Form'

In the project, the form of the cube has been manipulated with the aim of simultaneously obtaining an unlimited number of possible solutions. This approach, in turn, has removed the necessity for specifying any particular form as the end result, since all of the possible outcomes were analysed at once.



image 01/change = zero/objects defined as perfect cubes


Initially, the perfect cube was defined by the software. The characteristics or the ‘essence’ of the ‘cubes’ was clearly defined, specified in terms of minimum and maximum values, as well as in terms of their overall aesthetic quality.

The work with the form was entirely random, i.e. the form could have been any of the shapes shown in the images below (an extract), or just as equally a perfect cube. Form has not been manipulated with a certain result in mind. In fact, no particular form has been envisaged prior to its creation. The final form remained unknown, since only when the parametric value was applied in the controlling field, the resulting form was determined.



image 02/deformations 0073/parametrically induced


The design was considered solely on probabilistic grounds i.e. the forms could or could not result in a certain shape. Paradoxically, although the final form stayed unspecified, an infinite number of its probable states was possible to obtain.

An element of the accidental was interwoven in the creation process, and some possible results unintentionally became more appealing than others.
Although the ‘essence’ of the objects stayed identical, i.e. their formula remained constant, the ‘cubes’ manifested themselves differently in every case. Each of the produced forms is unique.



image 03/deformations 0176/parametrically induced


An identical ‘essence’ is evident in a group of the same kind, where every entity still remains different and individual, taking its final form only when fused with the conditions in which it exists. It is from this process of physical materialisation that uniqueness and individuality are born.

Thursday, October 4, 2007

possibility forms - liquid cubes







online link: -'Unspecified Form'

Wednesday, October 3, 2007

possibility forms - liquid cubes

possibility forms - liquid cube/single 071

Tuesday, October 2, 2007

possibility forms - liquid cube/single 097

Wednesday, August 22, 2007

concept models, experiments with form

The more static the system, the less change is possible. The things that show the greatest ability for adaptation and change are those in their dynamic states. Liquids and gases (fluids) are the physical states which are the most flexible. Although there are rules governing their behaviour and setting their limits, their state and their form are not fixed. They are able to take on the ‘shape’ of that which contains them. They are able to ‘mould’ around things, unlike solids.


concept model/liquid forms


concept model/liquid forms


concept model/liquid forms


model photographs/2003


Tuesday, August 21, 2007

concept models, experiments with form




concept model/liquid forms



concept model/liquid forms







concept model/liquid forms


models made in 2003/ECA

Friday, August 17, 2007

tests with distortions of space



distortion of space/test/04




distortion of space/test/07




distortion of space/test/11



Wednesday, August 15, 2007

Kilder Observatory - Finals


top view with the access path

section through the observatory - showing the scale of the two
persons standing inside

Proposal for the new observatory at Kilder, United Kingdom

colaboration with Nicola Van Waegening

Friday, May 4, 2007

Media-Tic/extracts from the animation/night shoot

visualization for e-Cloud 9 architects, Barcelona

joint work with Ruben Alonso and Javier P. Contonente


Media-Tic/extracts from the animation/transparency change


visualization for e-Cloud 9 architects, Barcelona

joint work with Ruben Alonso and Javier P. Contonente


Media-Tic/extracts from the animation/daylight change


visualization for e-Cloud 9 architects, Barcelona

joint work with Ruben Alonso and Javier P. Contonente


Thursday, May 3, 2007

Media-Tic/nightime shoot/close up
Media-Tic/transparency change/close up

Media-Tic/daylight change/close up

Friday, April 20, 2007

Catania kindergarden/San Cristoforo Sud



concept model/catania/view 1


concept model/catania/view 2


concept model/catania/top view


concept model/catania/wider context

colaboration project with ZeroArchitecture Studio, Catania, 2007

www.zeroarchitecture.it

Friday, March 16, 2007


The Rainbow Pavilion - Rotterdam 2007


placed in the harbour of Rotterdam


something to dream about


proposal for the architectural folly - Rotterdam Biennale 2007

collaboration with Nicola Van Waegening